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《儿子的女友和爸爸的女友Ⅱ》在线观看HD无字电影免费不卡日本韩国视频1

剧情简介

导演:欧·帕克 

主演:于震,陈紫函,尹铸胜,余玥,曾雅冬,杜源,辛月,魏春光,冯远征,荆浩,高亮,吴奇隆,刘思彤,淳于珊珊,吕中,曹磊,张琛,左航,崔钟,李瀚均,金汉,朱少鹏,李旭,高宇航,刘流,刘金山,石兆琪,张兴泽,张春仲,王康乐,刘萌萌,张境佳,李思博,康福震,俞瞳,陈良,杨烁,王立卓,李华,滕爱弦,武莉,张浩然,于非,孙东安,白一弘,周小伟,马浩博,杨力蕲,李小胖,曹汉超,耿明吉,张波,金雨淳,邵晓江,崔可法,葛兆美,李熙政,闵政,包小平,邢文杰,王天龙,钟鸣,张德明,李军,吕原田,于彦凯,高强 

James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?详情

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